When establishing your video production enterprise for the first time, you may need to do some profitable work to make up for the changing times when you don’t have any major assignments to do. As a freelance videographer, how much should you charge for your services?
I’ve always thought that you should never leave funds on the table when negotiating an arrangement with a customer. In other words, if the customer expects to pay $1, 000 for you to shoot for per day, you shouldn’t offer to do it for $700. On the other hand, if a purchaser only wants to pay $700 for your services, you shouldn’t transform down just because you usually like to make $1, 000 for a day’s worth connected with work.
Regarding my rates strategy, I try to impose somewhere close to industry’s typical rates so that I produce as much money as possible even though remaining competitive when compared to different videographers in my market.
For just a one-person camera crew, my very own day rate is $1, 200. This includes my camcorders, tripod, wireless microphone, light source kit, and up to 12 hours of time working on often the shoot.
My half-morning rate for a one-person producer is $800 and comes with the same equipment package or older to 5 hours in the arena.
For most customers, this charge is acceptable. For others, they have more than they have in their provide project. When a purchaser indicates that my fees are higher than they want to fork out, I simply ask them what they include in their budget for these expert services. Then, if what they are relaxed about paying is within range of what exactly I’m willing to accept, Factors. book the gig.
My partner and I typically won’t accept anything less than $700 for a whole day of shooting in addition to $500 for a half morning but I rarely must travel that low. Most customers who experience hiring freelance videographers are familiar with industry-standard fees and fully expect to fork out them. Then, when they get in touch with you again in the future, they are going to pay the same rates time and again.
The best strategy is to place your rates according to marketplace standards so you have one thing to go by when people ask about the things you charge. Then, be able to negotiate from there so you can e-book the gig.
In my mind, a new guaranteed $700 for a day’s worth of work is definitely far better than getting almost nothing because you refused to accept a lot less than what is on your rate list.
A bird in the palm is better than two in the rose bush. $700 in your checking account is superior to $700 in your competitor’s consideration. Plus, when that consumer needs to hire a videographer for another shoot, who thinks will get the call? The other person will… every time. Think tough about the lifetime value of a fresh customer before you turn down a contract gig because they didn’t would like to pay you the full rate.
Yet another thing to keep in mind is that if your costs are too low, a customer may possibly perceive you as certainly not qualified compared to other videographers in your area. If their rates are regular $800 to $1200 to get a full day of taking pictures and your rate is $500, odds are good they’ll seek the services of one of them instead of you.
Possessing rates that are too low forces you to look like an amateur however long you’ve been functioning as a professional videographer.
People also be opportunities when you are questioned to work using someone else’s devices instead of their own. For these conditions, you’ll need rates for just your efforts that don’t include the use of your personal gear.
I prefer not to do the job without my own equipment mainly because I like to make the extra money although freelance beggars can’t remain choosers. Again, a guaranteed income is better than no money.
My whole-day rate without machines is $500 and my half-day rate is $350. These are definitely pretty standard in the industry to get experienced videographers so your fees may vary. If you are in a position in your location still trying to make an identity for yourself, you may want to charge close to $300 for a full morning and $150 for a 50 percent day.
The same rules employ here as they did precede when it came to negotiating rates. If asked what your charge is for shooting with a person’s equipment, tell them but most probably to charge less in case their budget requires it.
Try to remember that guaranteed money provides great improvements over no money. If someone is able to book you today to get $300 but you have a cop that has a 50% chance of reading that will pay you $500 for you to shoot on the same day, take that guaranteed money. You can always try and convince the other customer for you to shoot at a different moment by offering them a discount.
Or maybe, if they can’t shoot on a different day, you can reserve the gig anyway with the higher amount and call one among your trusted videographer pals to cover the shoot for anyone. The customer pays you $500. You pay the other videographer $300.
The net result is that you simply made $300 on your blast and $200 from the various other shoots all in the same moment. Then, when you get paid for the other shoot, you trim the videographer a check along with off you go. Plus, you could have two satisfied customers which will call you for foreseeable future work.
If your goal is to make over six figures with your freelance videography business, you’ll have to book various gigs at the same time on a regular basis. One could do this if done accurately. The more trusted partners you could have in your network, the more dollars you can make at a given moment, week, or month.
A single final thought about setting your own personal freelance videography rates. Despite the fact that there are industry-standard prices for these services, it’s your decision to manage your finances so that your prices will cover business expenses as well as your personal salary each month.
If you are first getting started, it’s very important that you run your home and business as slim as possible. Get rid of all unneeded expenses and restructure your financial troubles if possible so you can reduce monthly installments.
In this business, there will be excellent months followed by terrible a few months regarding sales. Keeping your own monthly expenses as low as possible will certainly put you in the best position to ensure success. It is possible to support your family and also to even provide a luxurious way of life with your freelance income most families find that having a 2nd income from a spouse’s work makes things a lot easier.
For those who have two incomes in their home, you have the option to cost less than your competitors for your solutions. Just keep in mind that you’ll operate the risk of customers not using you as seriously as the competitors because your rates are not necessarily in line with theirs. Tread very carefully.
I suggest you quote industry normal rates but always be willing to negotiate down in terms of whether you are comfortable doing so to obtain the gig. Then, when considering invoicing the customer, that industry-standard rate is initially followed by the amount you thought to discount the rate in order to ensure that the customer meets their financial requirements. This way, they’ll be familiar with the true value of your assistance and you did them some sort of favor by discounting the speed to meet their needs. This will help in building good can with that customer and will drastically increase the odds they will only desire to work with you should they have the importance of any freelance work in the foreseeable future.